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Biography Chen Xiaoyun grapples with China’s tumultuous recent history and breakneck modernization. A photographer and video artist, Chen stages quotidian scenes that …Nationality: Chinese
Chen Xiaoyun was born in Hubei Province, China, in 1971, and currently lives and works in Beijing. Since his participation in the group exhibition Art for Sale in Shanghai (1999), he has developed his contemporary art practice, focusing on photography and video, and is one of China’s most important experimental artists …
Chen Xiaoyun Biography Working primarily with video and photography, and occasionally with painting, sculpture and installation, Chen Xiaoyun's (陈晓云) artworks are characterised by their poeticism and absurd, fragmented imagery.
The artist Chen Xiaoyun Born 1971, Hubei Province, China. Lives and works in Hangzhou, . Style and technique of the artist: Installation art, Video, Photography, Sydney Biennale, Chen Xiaoyunartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles.
Born in 1971, Chen Xiaoyun is a Chinese artist who works in a wide range of media including painting, video, and installation.
Chen Xiaoyun. China film/video/new media Artist in Residence Program 2016. Artist Statement. I have a wide creative field and I’ve tried almost every medium and form of art. I’m reluctant to focus on one theme or one form for a long time. There are so many curious things.
Xiaoyun Chen: 3 exhibitions from Feb 2013 - Mar 2016, exhibition venues worldwide of artist Xiaoyun Chen, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Biography, Artist-Portfolio, Artwork Offers, Artwork Requests, Exhibition Announcements
Artist : Chen Xiaoyun Daily Art Fair is the International modern and contemporary art galleries for Current, Past and Futur Galleries exhibitions all around the world.
In Chen Xiaoyun's first US solo show, 'Faint', the artist seems to ask us to consider how we derive meaning from narrative. His video work has a literary quality, though his use of overly wrought symbols empties this underlying narrative desire of any moral reward...
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