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Hipólito de Rioja (active in the 2nd half of the 17th century) Antonio Rodríguez (1636-1691) Juan Rodríguez Juárez (1675-1728) Nicolás Rodríguez Juárez (1667-1734) Miguel Rudecindo Contreras (active in the mid-18th century) Diego de Sanabria (active in the last third of the 18th century) José María Vásquez (1763-ca 1826)
Aug 09, 2012 · Undoubtedly, Villalpando was one of the foremost painters of Mexico City during the latter part of the 17th century, as evidenced by the collection of triumphal paintings that were commissioned by the council of the Cathedral of Mexico, for decorating the walls of the sacristy of the church.
Mexican artists Miguel Cabrera (1695-1768), Cristóbal de Villalpando (1649-1714), Juan Correa (1646-circa 1716) and Nicolás Enríquez (1704-circa 1790), along with the indigenous Peruvian artist Diego Quispe Tito (1611-1681), are among the most sought-after names in Spanish colonial art.
An important historical feature of the painting is the depiction of the fire damage to the viceroy's palace by mob in 1692. The viceroy of Mexico, Don Gaspar de Sandoval Silva y Mendoza, Count of Gelve, commissioned the painting by Mexico City's foremost artist of the late seventeenth century. Gelves was returning to Spain after a decidedly mixed record as viceroy, which saw disorder culminating in the …
The Spanish Colonial Art Gallery exhibits a selection of Latin American works from the 17th and 18th centuries. Paintings on display include the Virgin of the Immaculate Conception (Mexico, 1640) by the Dominican friar Alonso López de Herrera; The Wedding at Cana (Mexico, 1693) by Nicolás Correa, executed in the enconchado technique, a unique Mexican viceregal art form that incorporates mother …
Miguel Cabrera, (1695 – 1768) was an indigenousZapotec , made paintings depicting the various classes and was one of the greatest painter in all of New Spain . In 1753, he founded Mexico's first academy of painting and served as its perpetual president . a Mestizo baby, by Miguel Cabrera.
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