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Artists in France frequently debated the merits between Peter Paul Rubens (the Flemish baroque, voluptuous lines and colors) and Nicolas Poussin (rational control, proportion, Roman classicism). There was also a strong Caravaggio school represented in the …
French classicism: 17th century. Three painters, born in France within a span of seven years from 1593, are profoundly influenced by the traditions of ancient and modern Rome. They transform them into a classicism which is unmistakably French. The oldest of the three is Georges de la Tour, who uses as his main stylistic device the strong contrast between light and shade pioneered by Caravaggio.
Among the French artists of the first half of the 17th century, the one with whose works the word baroque is quite easily associated was Nicolas Poussin. Born in Normandy in 1593, Poussin came as a young artist to Paris where he worked for a few years before moving to Rome in 1624, and staying there for most of the rest of his life.
French literature: Classicism: The Seventeenth Century. The 17th cent. produced the great academies and coteries of French literature. The elegant, controlled aesthetic of French classicism was the hallmark of the age: in the brilliant dramas of Pierre Corneille, Jean Racine, and Molire; in the poetry and satire of Jean de La Fontaine and Nicolas Boileau-Despraux; in the prose of Blaise Pascal, Marie, …
Aug 23, 2005 · A select list of French poets of the 17th century includes: François de Malherbe (1555–1628) Honoré d'Urfé (1567–1625) Jean Ogier de Gombaud (1570?–1666) Mathurin Régnier (1573–1613), nephew of Philippe Desportes; François de Maynard (1582–1646) Honorat de Bueil, seigneur de Racan (1589–1670) Théophile de Viau (1590–1626)
Aug 29, 2020 · Nicolas Poussin, one of the most significant 17th century French painters, was born in Normandy in 1594. He was active in Paris from 1612 to 1623. In the 1620s, he traveled to Rome, where he remained for the greater part of his life.
Classicism in the theatre was developed by 17th century French playwrights from what they judged to be the rules of Greek classical theatre, including the "Classical unities" of time, place and action, found in the Poetics of Aristotle. Unity of time referred to the need for the entire action of the play to take place in a fictional 24-hour period
Baroque art is generally recognized by its emotional qualities, its moodiness, grandeur, vitality, and complexity, whereas Classical art betrays the influence of the art of antiquity, emphasizing harmony, restraint, and clarity. In the 17th century Classicism was most prevalent in France and England, whereas Baroque held sway in Italy, Spain, and northern Europe, where artists were also practicing …
Seventeenth century. See also French Baroque and Classicism, Louis XIII of France, Cardinal Richelieu, Baroque, Louis XIV of France, Palace of Versailles, Classicism. Daniel Dumonstier (1574–1646), draftsman; Pierre Dumonstier II (1585–1656), draftsman; Claude Deruet (1588–1660) (in Lorraine), painter; Simon Vouet (1590–1649), painter
If historians are not yet agreed on the political motives of Louis XIV, they all accept, however, the cultural and artistic significance of the epoch over which he and his two 17th-century predecessors reigned.
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