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Florentine Sculpture of the 15th Century
    Carving busts of young boys became a specialty of Florentine sculptors from about 1450 until the end of the fifteenth century. Three fine examples of this art are on view in this tour. Together they give an idea not just of the appearance of different children but also of the various approaches that sculptors brought to the same artistic problem.

Western sculpture - The Renaissance Britannica
    The Sienese sculptor Jacopo della Quercia was the most important sculptor of 15th-century Siena. He executed the Fonte Gaia (1414–19), a public fountain for the Piazza del Campo, the main square of Siena, and was awarded the commission for a baptismal font in the baptistery of Siena cathedral.

Renaissance Sculptors - Art Encyclopedia
    Although the Florentine Renaissance remained the driving force of sculpture during the 15th-century, other centres soon appeared, such as Siena, Milan, Venice, and Padua each of whom trained talented sculptors of independent status and influence.

Renaissance Sculpture Boundless Art History
    Another deeply influential sculptor from Florence was Donatello (1386—1466), who is best known for his work in bas- relief , a form of shallow relief that he used as a medium for the incorporation of significant 15th century sculptural developments in perspectival illusion.

Donatello - David, Paintings & Facts - Biography
    Jun 12, 2020 · Apr 2, 2014 Italian sculptor Donatello is one of the most influential artists of the 15th century in Italy, known for his marble sculpture David, among other popular works.

Important Works of Fifteenth-Century Italian Artists - Art ...
    Sculpture took off in the early 15th century, and it wasn't about to slow down. By 1425, Ghiberti was back at work designing another set of doors for the Baptistery of the Florence Cathedral.

renowned artists born in the 15th century (1401 - 1500)
    15th century renowned artists. Masaccio: Masaccio (December 21, 1401 - autumn 1428), was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting.

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