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14th century artists -
    Find a list of greatest artists and collections associated with 14th century at – the best visual art database.

renowned artists born in the 14th century (1301 - 1400)
    14th century renowned artists. Andrei Rublev: Andrei Rublev (c. 1360 or 1370 - 1427 or 1430) is considered to be the greatest medieval Russian painter of icons and frescoes.: Jan van Eyck: Jan van Eyck (c. 1385 - 1441) was a 15th century Flemish painter and one of the first to popularize oil paint.: Donatello: Donatello (Donato di Niccolo di Betto Bardi; c. 1386 - December 13, 1466) was a ...

Top 14th century artists
    Anthonius Clericus Apostolicus was a 14th Century Italian composer. Anthonius is known only from the ballata E ardo in un fuogo in the Strasbourg MS.

Italian Paintings of the 13th and 14th centuries
    View all 13th- and 14th-Century Italian paintings. During the 1200s a new format for painting—the altarpiece—appeared in Italian churches. Previously, fresco and mosaic decoration were predominant, and Western artists did not often paint on wooden panels.

Category:14th-century Italian painters - Wikipedia
    Pages in category "14th-century Italian painters" The following 196 pages are in this category, out of 196 total. This list may not reflect recent changes ( learn more ).

14th Century Art: Overview & Themes
    Introduction to 14th Century Art. When thinking about European art, it's easy overlook the art of the 14th century (the 1300s) because it usually gets overshadowed by the most famous art movement ...

Giotto Greatest Italian Artist of the 14th Century ...
    May 12, 2017 · A Brief Look at the Artist Giotto di Bondone is regarded as the most celebrated Italian painter of the 14th century and one of the most influential artists of the middle ages. He is considered the father of modern painting, having influenced the likes of Michelangelo, Masaccio, and Raphael.

Pre-Renaissance Painting: 14th-Century - Art Encyclopedia
    After all art at the end of the thirteenth century in Italy was still based on Byzantine art - or at least a Byzantine formula. Not only were the permissible subjects for Christian iconography carefully tabulated, but so were their order of precedence, the manner of their presentation, and even the colours to be used.

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